Lyrics I Hear Your Voice Frozen Break My Bones Again
On "Break My Eye Again," FINNEAS details the breakup of a human relationship haunted by miscommunication – and the difficulty of letting go of something y'all hold love.
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This is a story of love in the modern age. Love, heartbreak, and the elusiveness of romance. On his latest single, "Break My Eye Over again" which Atwood Magazine is proud to be premiering today, FINNEAS (née Finneas O'Connell) details the breakup of a relationship haunted by miscommunication – and the difficulty of letting go of something you concur beloved.
At the showtime of the song, we're treated to a stripped back piano which accompanies O'Connell'southward vocalism. Both of these elements intertwine beautifully, with O'Connell's voice filling the brief moments of silence in between piano notes. As gorgeous every bit this pairing is, it'southward haunted by the overly familiar sound of typing and sending messages – a genius addition to the song – which looms in the groundwork almost like it's foreshadowing something.
hey you lot
I'one thousand just at present leaving
Tin can I come around
Afterwards this night?
Or do
You lot need time?
Aye of course
That's fine
Heed: "Break My Heart Over again" – FINNEAS
hey you
Good forenoon
I'm sure you're decorated now
Why else would you lot ignore me
Or do
You need space?
You can't help it
If your listen has inverse
The opening verses are structured like we're reading O'Connell's side of a text message exchange. He asks questions, "Can I come up around afterwards on this evening?" "Or do you lot need time?" and we don't see the answers. Instead, we're provided the answers by getting a glimpse at O'Connell's slightly deplorable acceptance of the situation. He too nods as the sense of insecurity and uncertainty that comes with communicating through text messages: the person he'south talking to hasn't answered him, and then he's "sure [they're] busy, why else would [they] ignore [him]?", but he doesn't know that for a fact. At this moment information technology seems he's working hard to come with the all-time possible conclusion for a less-than-ideal situation. A slight break, and then he asks "Or do yous need infinite?", a question he can't seem to find the answer to.
So get ahead and interruption my heart over again
Get out me wondering
why the hell I ever let you in
Are you the definition of insanity?
Or am I?
Oh, information technology must be nice
To love someone
Who lets you pause them twice
It's in the chorus where O'Connell shifts from speaking about his interactions with his loved ane to admitting his nigh sincere emotions. His voice is layered and the sentimentality is heightened. He confesses to being constantly hurt by the one he loves, and this leaves him confused. Information technology gets to a point where he is unsure if his loved one's wrong for constantly pain him, or if he'southward in the incorrect for always allowing them to do so, "Are you lot the definition of insanity? Or am I?". At the end of the chorus comes what might exist perceived as an admission of guilt "Information technology must be nice/ To love someone/ Who lets you break them twice", since he nods to beingness broken more once and hints at the other person's power over him. At the same time, it is articulate that this confession stems from genuine and deep love and concern for his loved one, and a desire to non let go of what he knows can be something groovy.
you're so blue
Are you nevertheless breathing?
Won't you tell me if
You find that deeper meaning
Practice you
Think I've gone blind?
I know it'due south non the truth
When you say
"I'thousand fine"
His care is fabricated even more clear on the second verse, where the song shifts from text message exchanges to real-life interaction, which is heightened by the addition of a female voice proverb "I'm fine" at the end of the poesy. He's concerned about the person he loves, asking if they're "notwithstanding breathing" because they don't seem to be in a skilful place. He wants to find out what's really wrong with them, in that location's a secret they seem to exist keeping and O'Connell is adamant to find out whatever information technology is that'south bringing them down and fighting it.
The span takes the song to the next level and suggests that O'Connell is confronting his lover most their bug. Tensions are raised by the addition of strings to the song. He admits that he idea this person was "the one" but their actions reveal that all they can do is "say cheerio", so this relationship seems to exist somewhat doomed.
O'Connell and so reveals they reunited "half a decade later on", and the song comes to a halt – nosotros're taken dorsum to the starting time of the vocal where just the piano and O'Connell'southward voice reveal to us that even though time has passed, the person he loves is still the same. The chorus is repeated, stripped back, and O'Connell's voice is flawless and drenched in emotion when he sings the song's last line "It must be overnice to love someone who lets you break them twice".
That O'Connell is a master of songwriting of production is no secret, considering he'due south written two of his sister Billie Eilish's biggest hits ("Sea Eyes" and "sentinel") and helps her in the production of her songs. Only his versatility and skill every bit an artist and producer is what'due south really noticeable, since for his solo project he digresses from the more electronic beats of Eilish's music and dives into more acoustic songs which are simply equally impeccably produced and clever. "Pause My Center Once again" is not only a soothing song for the brokenhearted, it is as well proof of O'Connell'south supreme talent. FINNEAS only has three singles out, but his future looks incredibly promising considering what he'due south treated united states of america to and then far. We can't wait to see what he has to offer next.
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photo © Cameron Postforoosh
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Source: https://atwoodmagazine.com/bmha-finneas-break-heart-again/
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